{
  "absUrl": "https://arxiv.org/abs/2610.36715v1",
  "arxivId": "2610.36715",
  "arxivVersion": 1,
  "arxivVersionedId": "2610.36715v1",
  "authors": [
    {
      "affiliations": [
        "机构信息未能在本次解析中与作者逐人可靠绑定"
      ],
      "name": "Matthieu Cervera"
    },
    {
      "affiliations": [
        "机构信息未能在本次解析中与作者逐人可靠绑定"
      ],
      "name": "Francesco Paissan"
    },
    {
      "affiliations": [
        "机构信息未能在本次解析中与作者逐人可靠绑定"
      ],
      "name": "Micael Antunes"
    },
    {
      "affiliations": [
        "机构信息未能在本次解析中与作者逐人可靠绑定"
      ],
      "name": "Mirco Ravanelli"
    },
    {
      "affiliations": [
        "机构信息未能在本次解析中与作者逐人可靠绑定"
      ],
      "name": "Ricard Marxer"
    },
    {
      "affiliations": [
        "机构信息未能在本次解析中与作者逐人可靠绑定"
      ],
      "name": "Cem Subakan"
    }
  ],
  "contract": "researcher-sidecars-v1",
  "id": "2610.36715v1",
  "originalTitle": "SMEBENCH: Benchmarking Neural Music Editing with Synthetized MIDI Edits",
  "pdfUrl": "https://arxiv.org/pdf/2610.36715v1.pdf",
  "schemaVersion": 1,
  "type": "preprint"
}